I paint.

In my daily studio practice I experiment with organic shapes, textures, images, and forms placed against each other like a puzzle, retaining a sense of structure, a sense of presence, a sort of disappearing weightless mass.

Resistance and time.
Often these studio experiments are realized by using enamels, tar, polyurethanes, lacquers, oils and acrylics on canvas.
This process-intensive studio practice functions as a point of departure that inevitably leads to new avenues of contention and dissonance.

This to me, is the zenith of painting.